Publications - Tiered

Publications columns

Publications

Pubs artwork

Book

2007

Monson I. Freedom Sounds: Civil Rights Call Out to Jazz and Africa. 2007.
Monson I. Freedom Sounds: Civil Rights Call Out to Jazz and Africa. 2007.

2000

The African Diaspora: A Musical Perspective. Garland Press; 2000.
The African Diaspora: A Musical Perspective. Garland Press; 2000.

1996

Monson I. Saying Something: Jazz Improvisation and Interaction. Chicago: University of Chicago Press; 1996.
Monson I. Saying Something: Jazz Improvisation and Interaction. Chicago: University of Chicago Press; 1996.

Book Chapter

2008

Monson I. Fitting the Part. In: Big Ears: Listening for Gender in Jazz Studies. Durham: Duke University Press; 2008.
Monson I. Fitting the Part. In: Big Ears: Listening for Gender in Jazz Studies. Durham: Duke University Press; 2008.

2005

Monson I. Jazz. In: African American Music Anthology. New York: Routedge; 2005. pp. 145–183.
Monson I. Jazz. In: African American Music Anthology. New York: Routedge; 2005. pp. 145–183.

2002

Monson I. Jazz Improvisation. In: The Cambridge Companion to Jazz. Cambridge, UK: Cambridge University Press; 2002.
Monson I. Jazz Improvisation. In: The Cambridge Companion to Jazz. Cambridge, UK: Cambridge University Press; 2002.

2001

Monson I. Miles, Politics, and Image. In: Miles Davis and American Culture. St. Louis: Missouri Historical Society Press; 2001.
Monson I. Miles, Politics, and Image. In: Miles Davis and American Culture. St. Louis: Missouri Historical Society Press; 2001.
Monson I. Jazz. In: Garland Encyclopedia of World Music Volume 11, The United States and Canada. 2001.
Monson I. Jazz. In: Garland Encyclopedia of World Music Volume 11, The United States and Canada. 2001.
Monson I. Report of Study Session 22: Theorizing the Transnational. In: Proceedings of the International Musicological Society, 16th International Congress. London: Royal College of Music; 2001.
Monson I. Report of Study Session 22: Theorizing the Transnational. In: Proceedings of the International Musicological Society, 16th International Congress. London: Royal College of Music; 2001.

1999

Monson I. George Russell. In: International Dictionary of Black Composers. Chicago: Center for Black Music Research; 1999.
Monson I. George Russell. In: International Dictionary of Black Composers. Chicago: Center for Black Music Research; 1999.

1998

Monson I. Oh Freedom: George Russell , John Coltrane, and Modal Jazz. In: In the Course of Performance: Studies in the World of Musical Improvisation. Chicago: University of Chicago Press; 1998. pp. 149–168.
Monson I. Oh Freedom: George Russell , John Coltrane, and Modal Jazz. In: In the Course of Performance: Studies in the World of Musical Improvisation. Chicago: University of Chicago Press; 1998. pp. 149–168.

1997

Monson I. Abbey Lincoln’s Straight Ahead: Jazz in the Era of the Civil Rights Movement. In: Between Resistance and Revolution. New Brunswick, NJ: Rutgers University Press; 1997. pp. 171–194.
Monson I. Abbey Lincoln’s Straight Ahead: Jazz in the Era of the Civil Rights Movement. In: Between Resistance and Revolution. New Brunswick, NJ: Rutgers University Press; 1997. pp. 171–194.
Monson I. What’s Sound Got to Do With It?: Jazz, Poststructuralism, and the Construction of Cultural Meaning. In: Creativity in Performance. Greenwich, CT: Ablex; 1997. pp. 95–112.
Monson I. What’s Sound Got to Do With It?: Jazz, Poststructuralism, and the Construction of Cultural Meaning. In: Creativity in Performance. Greenwich, CT: Ablex; 1997. pp. 95–112.

Conference Paper

2004

Monson I. Blues People:Amiri Baraka as Social Theorist. In: Blues People: 40 Years Later, A Symposium. 2004.
Monson I. Blues People:Amiri Baraka as Social Theorist. In: Blues People: 40 Years Later, A Symposium. 2004.

Journal Article

2008

"Hearing, Seeing, and Perceptual Agency". Critical Inquiry. 2008;34(2):S36-S58.
"Hearing, Seeing, and Perceptual Agency". Critical Inquiry. 2008;34(2):S36-S58.

2000

Monson I. Monk Meets SNCC. Black Music Research Journal. 2000;19(2):187–200.
Monson I. Monk Meets SNCC. Black Music Research Journal. 2000;19(2):187–200.

1999

Monson I. Riffs, Repetition, and Theories of Globalization. Ethnomusicology. 1999;43(1):31–6.
Monson I. Riffs, Repetition, and Theories of Globalization. Ethnomusicology. 1999;43(1):31–6.
Monson I. Review of Just My Soul Responding: Rthythm and Blues, Black Consciousness, and Race Relations, by Brian Ward. Yearbook for Traditional Music. 1999;31.
Monson I. Review of Just My Soul Responding: Rthythm and Blues, Black Consciousness, and Race Relations, by Brian Ward. Yearbook for Traditional Music. 1999;31.

1997

Monson I. Music and the Anthropology of Gender and Cultural Identity. Women and Music: A Journal of Gender and Culture. 1997;1(1):58–67.
Monson I. Music and the Anthropology of Gender and Cultural Identity. Women and Music: A Journal of Gender and Culture. 1997;1(1):58–67.
Monson I. Review of Representing Jazz, and Jazz Among the Discourses, edited by Krin Gabbard. American Music. 1997;15(1):110–113.
Monson I. Review of Representing Jazz, and Jazz Among the Discourses, edited by Krin Gabbard. American Music. 1997;15(1):110–113.

1996

Monson I. Review of New Musical Figurations: Anthony Braxton’s Cultural Critique, by Ronald M. Radano. Journal of the American Musicological Society. 1996;49(2):326–31.
Monson I. Review of New Musical Figurations: Anthony Braxton’s Cultural Critique, by Ronald M. Radano. Journal of the American Musicological Society. 1996;49(2):326–31.

1995

Monson I. Responses (To Charles Keil). Ethnomusicology. 1995;39(1).
Monson I. Responses (To Charles Keil). Ethnomusicology. 1995;39(1).
Monson I. The Problem with White Hipness:Race, Gender, and Cultural Conceptions in Jazz Historical Discourse. Journal of the American Musicological Society. 1995;38(3):396–422.
Monson I. The Problem with White Hipness:Race, Gender, and Cultural Conceptions in Jazz Historical Discourse. Journal of the American Musicological Society. 1995;38(3):396–422.

1994

Monson I. Review of New Perspectives on Music: Essays in Honor of Eileen Southern, Josephine Wright with Samuel A. Floyd, Jr., eds. Notes. 1994;50:983–85.
Monson I. Review of New Perspectives on Music: Essays in Honor of Eileen Southern, Josephine Wright with Samuel A. Floyd, Jr., eds. Notes. 1994;50:983–85.
Monson I. Doubleness’ and Jazz Improvisation: Irony, Parody and Ethnomusicology. Critical Inquiry. 1994;20(2):283–313.
Monson I. Doubleness’ and Jazz Improvisation: Irony, Parody and Ethnomusicology. Critical Inquiry. 1994;20(2):283–313.

1993

Monson I. Review of Fire Music: A Bibliography of the New Jazz, John Gray compiler. Notes. 1993;49:1072–1073.
Monson I. Review of Fire Music: A Bibliography of the New Jazz, John Gray compiler. Notes. 1993;49:1072–1073.

Miscellaneous

2001

Monson I. Say it Loud: The History of Black Music America. 2001.
Monson I. Say it Loud: The History of Black Music America. 2001.

Books

Book

2007

Monson I. Freedom Sounds: Civil Rights Call Out to Jazz and Africa. 2007.
Monson I. Freedom Sounds: Civil Rights Call Out to Jazz and Africa. 2007.

2000

The African Diaspora: A Musical Perspective. Garland Press; 2000.
The African Diaspora: A Musical Perspective. Garland Press; 2000.

1996

Monson I. Saying Something: Jazz Improvisation and Interaction. Chicago: University of Chicago Press; 1996.
Monson I. Saying Something: Jazz Improvisation and Interaction. Chicago: University of Chicago Press; 1996.

Book Chapter

2008

Monson I. Fitting the Part. In: Big Ears: Listening for Gender in Jazz Studies. Durham: Duke University Press; 2008.
Monson I. Fitting the Part. In: Big Ears: Listening for Gender in Jazz Studies. Durham: Duke University Press; 2008.

2005

Monson I. Jazz. In: African American Music Anthology. New York: Routedge; 2005. pp. 145–183.
Monson I. Jazz. In: African American Music Anthology. New York: Routedge; 2005. pp. 145–183.

2002

Monson I. Jazz Improvisation. In: The Cambridge Companion to Jazz. Cambridge, UK: Cambridge University Press; 2002.
Monson I. Jazz Improvisation. In: The Cambridge Companion to Jazz. Cambridge, UK: Cambridge University Press; 2002.

2001

Monson I. Miles, Politics, and Image. In: Miles Davis and American Culture. St. Louis: Missouri Historical Society Press; 2001.
Monson I. Miles, Politics, and Image. In: Miles Davis and American Culture. St. Louis: Missouri Historical Society Press; 2001.
Monson I. Jazz. In: Garland Encyclopedia of World Music Volume 11, The United States and Canada. 2001.
Monson I. Jazz. In: Garland Encyclopedia of World Music Volume 11, The United States and Canada. 2001.
Monson I. Report of Study Session 22: Theorizing the Transnational. In: Proceedings of the International Musicological Society, 16th International Congress. London: Royal College of Music; 2001.
Monson I. Report of Study Session 22: Theorizing the Transnational. In: Proceedings of the International Musicological Society, 16th International Congress. London: Royal College of Music; 2001.

1999

Monson I. George Russell. In: International Dictionary of Black Composers. Chicago: Center for Black Music Research; 1999.
Monson I. George Russell. In: International Dictionary of Black Composers. Chicago: Center for Black Music Research; 1999.

1998

Monson I. Oh Freedom: George Russell , John Coltrane, and Modal Jazz. In: In the Course of Performance: Studies in the World of Musical Improvisation. Chicago: University of Chicago Press; 1998. pp. 149–168.
Monson I. Oh Freedom: George Russell , John Coltrane, and Modal Jazz. In: In the Course of Performance: Studies in the World of Musical Improvisation. Chicago: University of Chicago Press; 1998. pp. 149–168.

1997

Monson I. Abbey Lincoln’s Straight Ahead: Jazz in the Era of the Civil Rights Movement. In: Between Resistance and Revolution. New Brunswick, NJ: Rutgers University Press; 1997. pp. 171–194.
Monson I. Abbey Lincoln’s Straight Ahead: Jazz in the Era of the Civil Rights Movement. In: Between Resistance and Revolution. New Brunswick, NJ: Rutgers University Press; 1997. pp. 171–194.
Monson I. What’s Sound Got to Do With It?: Jazz, Poststructuralism, and the Construction of Cultural Meaning. In: Creativity in Performance. Greenwich, CT: Ablex; 1997. pp. 95–112.
Monson I. What’s Sound Got to Do With It?: Jazz, Poststructuralism, and the Construction of Cultural Meaning. In: Creativity in Performance. Greenwich, CT: Ablex; 1997. pp. 95–112.